Hoover Breakdown, 1979
Hive, 2005
Twin Tub with Chainsaw, 1981
Kimono Navigator, 2005
The Ledge, 2017
Anaconda, 2009
Picnic, 1984
Washing Machine, Armchair and Car Bonnet with Bena Biombo Mask, 1982
Four Bicycle Frames, 1980
Tunnel, 2010
Regardless of History, 2000
Cello / Chicken, 1983
Un Till the Land, 1989
Bunker / Mule, 1995
Car Door, Ironing Board and Twintub with North American Indian Headdress, 1981
Seychelles Evaluator, 2005
Electric Fire with Yellow Fish, 1981

10 key works

Read in detail about a selection of artworks from across the decades

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About Bill Woodrow

Bill Woodrow (b. 1948) is a sculptor who lives and works in Britain. He attended Winchester School of Art before moving to London to study sculpture at St Martin’s School of Art. He first received international critical attention in the early 1980s, in association with the New British Sculpture group. These ‘post-minimalist’ object-makers often used discarded and unconventional materials for their sculptures, reshaping and reconfiguring objects and introducing narrative elements.

Woodrow stood out from this group of artists for his extraordinary transformations of everyday domestic objects. Drawing templates onto the surfaces of metal objects such as empty baked bean cans, buckets, washing machines and car bonnets, he then cut them out, extending them into three dimensions to create surprising new object-appendages, such as musical instruments and animals.

In the later 1980s, Woodrow’s interest turned to bronze and making more elaborate sculptural ensembles. Works such as In Awe of the Pawnbroker (1994) and Regardless of History (2000) demonstrate an increased preoccupation with narrative and allegory, deploying sculpture to communicate stories about human existence and our place in the natural world. Such concerns continue to animate his sculptural imagination today, as we find Woodrow often turning to drawing and working on paper, as well as sculpture.

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